Showing posts with label 2 Cruise. Show all posts
Showing posts with label 2 Cruise. Show all posts

Saturday, 14 August 2010

My Garden is Extremely Green (Literally)

I am a vagabond at present, part of the hidden homeless, kind of. So far this year I have had four separate homes: in sequence, of course.  

Fortunately, these places have had beautiful gardens, of various styles, which has been a comfort........

My current garden is a bit run-down, shabby even, but is very green and peaceful, and in its way, also beautiful.

Completely walled, it is (sadly) innocent of cats, but correspondingly full of birds and birdsong, including, especially delightful, a tame robin.

And for one so small, it has a vista.



And an embowered compost box



Sporting today a single spray of white flowers, the only one in the entire garden.





It has several interesting nooks and crannies
























Sadly there is no veggie patch, and no tomatoes, but there are some peaches ripening by the kitchen window, which add a very subtle touch of colour.





All in all, I really am very lucky to be here.  



Other gardens I have known this year



Monday, 9 August 2010

Jim Jarmusch: Nothing is Original. Steal from Anywhere


The quotation below "speaks directly to my soul", and so I stole it, as suggested, from Not Just the Minutiae.

It is a remark by the wonderful, totally original and dramatically silver-haired film-maker, Jim Jarmusch

Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. 

Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is non-existent. And don’t bother concealing your thievery - celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: “It’s not where you take things from - it’s where you take them to”.” 

I hope you like it as much as I do.

And this related video is really very nice too.  

P.S.  

Way back in October I discovered the possibility for my interaction with the internets (I KNOW, but better late than never), and I naively wrote this little number - How Pumped Am I about 2.0!  

It was exactly the potential for all this thievery that I was excited about, but did not yet have the words to describe *smiles fondly at such childishness (not yet fully outgrown)*.


If you like this post, you may also like another little piece of theft:  The Gift


Wednesday, 21 July 2010

Orpheus: the Mythical. A Musical by Richard Stilgoe and the Orpheus Centre

I have never been to a musical by a mixed group of performers with and without disabilities, but I did last night: it was magic, and I'm totally bowled over.

Now, recently I have been engaging in some pathetic self-promotion lightly amusing self-deprecation by dropping a few celeb names here and there. In "It's True! I met Rihanna ..."  I said that my life-time total  number of brushes with celebrity is three.

Well, its actually four.

And this time I'm being serious.

I missed Richard Stilgoe from my list.  He wrote the lyrics of Starlight Express, and chunks of Phantom of the Opera, and has done lots of other stuff on stage and radio.  A very witty, very funny guy indeed, and totally brilliant musically.  I do know him a bit, socially.  I don't want to presume too much, but I do know him just a bit.  I can add him to my list.

He's also the father of the brilliant jazz musician, the super-cool Joe Stilgoe.  So I suppose in fact I have actually had five brushes with celebrity.

But enough of that.  What I want to say is not about me, and it's actually important.

In the overall scale of things, the Orpheus Centre is the kind of thing that really matters.

Richard founded The Orpheus Centre, in his former family home in Godstone, Surrey, and he spends a great deal of time with the people who live and work there.  It seems that its a really great place.

Named after Orpheus (the famous Greek musician), the Centre provides residential and domiciliary services and a fantastic learning programme for young adults with a range of disabilities.

It works with them to achieve personal progress through the performing arts.  It supports them to gain confidence and self esteem and learn essential skills that will help the transition into fully independent living.

The Company performs all over the place (including last year at the Royal Opera House), and with other outfits like the Graeae Theatre Company and StopGAP Dance Company, also fabulous.

And they have put together this really wonderful, hilarious and uplifting show, on the theme of Orpheus' and Euridice's adventures in Hades.

Richard wrote the words and the music, and Joe helped with the musical arrangement.  The Director is the very lovely spiky-haired Syd Ralph, and she's done an absolutely fabulous job.  Its a really well-paced show. Also involved are some young actors from the Guildford School of Acting, who were brilliant, and looked as if they were having a total ball, which I learned afterwards that they were.

Seeing as its about the Argonauts, and Orpheus travelled with Jason, Hercules and Theseus, etc. etc. and Apollo, Caliope, Persephone, Mercury and all that crowd could always be put in there in the background, wreaking their havoc, Richard was able to cram almost every known myth into the story.  There were lovely sheep, the three headed dog Cerberus, and a terrific dragon.  There was humour, pathos, and really good dancing and singing, including really lovely wheelchair choreography.

I loved the testosterone-engulfed argonaut sailors, pretty thick the lot of them but filling the theatre with energy, and also the Sirens, softly singing "danger! danger! danger!" while dancing with the greatest possible allure.

It was also crammed with lovely Stilgoe-esque puns: e.g. the Argos being built with parts bought from a huge catalogue, and steered by some-one beating a tom-tom.

(For the non-Brits among you, "Argos" is the name of a chain of stores in UK where nothing is on display: you order from an immense catalogue, and our main GPS navigation system is called "Tom-Tom").

And the Golden Fleece was a traffic warden's yellow fleece jacket, of course.

Not to mention, obviously, the title of the thing.

Matt Lucas introduced it, and did a lovely job.  He told us about his all-time worst heckle, and got the audience to do it en masse, to purge him of the horror, which was a lot of fun.  Others during the week will be Michael Aspel, Penelope Keith, Tim Pigott-Smith and Jane Asher.  And no less that HRH Prince Edward will be there for a Royal Gala one night.

The only, only (tiny) shortcoming is that there was no encore - we had one thumping good tune to end on, but we needed another one even more so to send us off like jet-fueled rockets into the warm summer evening:  I think they just didn't expect to hear the audience in very demanding mood at the end, and so we were frustrated, and left a little more quietly than we might have done, which was a pity.

Never mind.  I still loved it.

So if you are anywhere near Guildford this week, hie ye over to the Yvonne Arnaud theatre.  You won't be sorry you did.







Members of the Orpheus Centre
Performing at the Linbury Theatre, Royal Opera House
London 2009
By Jack Stilgoe Jackstil.  Downloaded from Flickr under creative commons license



Richard StilgoeImage via Wikipedia

Richard Stilgo


And here's a great picture of the whole troupe at Buck House a little while ago.

Sunday, 11 April 2010

A Magic Summer Evening Long Ago


I like Saturday Live on BBC Radio 4: always interesting conversations with interesting people.  This Saturday, in the midst of all this interestingness, one phrase really resonated.

“We've all got that little bit of magic, that stays with you all your life ... a place of inner calm and happiness", said actor Charles Collingwood (Brian Aldridge in The Archers).

I hope its true that everyone has such a place.  It is true for me, and it's this place.



Nothing remarkable in this view you might think, and you would be right, but for me it embodies thirty seconds that have shaped my entire life.

I was five years old, and had just finished my bath.  My father wrapped me in a towel and lifted me to a chair beside the bathtub, so he could dry me.

I looked at my small brown hands gripping the wooden chair back, and then up my father and then through the open window, where I saw approximately what you see in the picture.

It was a summer evening, so the sun was slanting in from the left, full onto the Down.  (Middle English “Doun”: a hill.  Similar to the modern “dune”, as in sand-dune.  A rounded, chalky, mainly treeless hill in southern England).

It must have been a weekend, (a) because my father was bathing me, and (b) because that  is the village cricket field in the foreground, and there was a game going on, with long evening shadows cast by the pavilion and the players, the bang of bat on ball, and gentle cheers and clapping every now and then, as a run or two was scored.  Beyond the field I could see the wooded dip where the little river ran, the low, flinty, grey village school on the hillside, and the ancient hollow in the flank of the Down, which we called “the vineyard”, a sun-trap where the Romans used to cultivate their vines, so we heard.

I knew that hill well.  Sometimes we took our jam sandwiches, wrapped in greaseproof paper, and climbed to the top for the wonderful view back over the valley and our house. It was a hard, steep, tussocky climb for little legs, up through the shady churchyard and onto the wide open hill, under the sky and song of the skylarks.  The sun was always burning hot up there, so my memory goes.

Sometimes we didn’t make it to the top, and sat in a row on one of the little paths worn by centuries of grazing sheep, like contours, almost like steps, into the side of the hill, with our plimsoled feet resting on the path below, the backs of our bare legs scratched by the grasses.  Close to the ground,  we could hear the summer insects buzzing among the thick, sheep-cropped chalkland plants, full of little flowers miniaturized by all those eons of nibbling.  In the time-honoured way, we could lie on our backs and gaze upwards, trying to see the skylarks, or roll over and peer into the tiny, shady, busy world among the grasses.

Looking up, we could see clear across the village below, the beloved stream running through it and the green fields and hedgerows all around, to another row of Downs to the south of us, with great Butser Hill  like a rampart to the east.  Sometimes, shading our eyes with our hands, elbows on knees, we could see the glittery sea far, far in the distance.   Sometimes an ancient green bus trundled with glinting roof along the dusty road by the edge of the hill, and stopped right outside the school below us, on its way to Petersfield, where I was born.

All this I knew about the hill, in the moment that I looked at it in the evening sunlight, and heard the gentle cricket sounds below, and laughed at my father's silly jokes as he quickly dried me. 

Standing on my chair in the cool, blue bathroom, I remember that a swallow swooped over the field, from the direction of the hill, and into her nest just above me, under the eaves of our house.

But what I remember most is that I was bursting with happiness to be with my father, and, very best of all, I knew that  he was happy too, as he carried me smiling into the bedroom I shared with Andrew, age four, for a bedtime story.

And ever since then I have loved the Downs, the "sunlit uplands" of churchillian fame,  and quiet summer evenings when the air-pressure is high and the swallows are swooping, living their lives.  I have loved looking outward through windows:  I have found that an outlook, a view, is necessary to me.

Many people love these things of course, but for me they are the frame of security itself. They take me to my own foundations.

And how extraordinary is the elasticity of time and place when it comes to the emotions!  Those thirty seconds encompassed me, my father, the Down, its life and its place in my life:  they lasted half a minute, and a whole lifetime.  Sheer magic!

Sunday, 3 January 2010

Life is Just a Bowl of Dialectics

Pick a Bowl of Cherries by **Mary**
Downloaded from Flickr under Creative Commons License

Warning:  Pompous heavy weather and pretentious obscurity up ahead (but I like the topic anyway).


There could hardly be a sillier take on what life is all about than "Life is Just a Bowl of Cherries", written in 1931 by the now largely forgotten Lew Brown.   The lyrics are also largely, and advisedly, forgotten, but you can see them here if you want to, and get the ring-tone.  

Nevertheless, the title is a catchy phrase which has passed into idiomatic use, fortunately not without a tinge of irony.

So, as we move right along into 2010, change is in the air as usual, and I am thinking how much I‘m totally lovin’ it.  

The reason I am loving it is that I am analysing it (see my post on Epicurus and the analyzed life).   And when I say "just" a bowl of dialectics, I mean "like totally, dude".  I'm only being slightly satirical.  Life itself is totally dialectical:  that's just how I see it, and that's how I'm analyzing it.

Trouble is, its hard to see a dialectical situation if you don't know what you’re looking for. A change of plan can be forced upon you unexpectedly, as little Miss Newton here is just finding out.  (See the end of this post for more on this little cutie)

Downloaded from flickr with special permission.  
Thanks Colour.  I love this pic.

So you need to know what you are looking for.


My very first sociology professor said, at my very first lecture, many years ago:  "If you don't know what a carburetta is, when you look at an internal combustion engine you won’t see a carburetta".  


I found this to be very true. It exactly reflected my own experience at car mechanic class.  Once you know the various parts of a car engine, it resolves from a meaningless mass of pipes and caps and wires into a thing of rationality, order and purpose.  

And so it is with life itself, without the sense of rationality, order or purpose.  


Downloaded from Flickr under Creative Commons License


See what I mean? The colour-coding helps, and that’s what dialectics is in a way: intellectual colour-coding of trends.  Kind of.


Me, I don't care that life is not rational or well ordered, and I can live with all the contingencies of which it is entirely composed.  But I do like to really understand what's happening as much as I can, and here a dialectical perspective can help, because, as I say, life is itself dialectical.  

Dialectics is, in fact, the extremely useful, if complex, theory, or explanation, of how everything changes (which it does, at various speeds, all the time).  It is particularly good at describing the many resonating impacts of a change process, and especially in identifying the underlying factors, and the further factors underlying them.


First elaborated over two thousand years ago by the Greeks (of course), with multiple developments since, including most famously by Marx and Engels,  this body of thought is still very much evolving (along with everything else).  Some people never look at dialectics because of Marx and Engels, but that's just so naff.


I love it because it enables me to see beyond surface appearances to all the movement, contradiction and interconnection of things. It gives the whole picture. I mean, not just a static snapshot, but the total moving picture in all its reflexivity and flux. All at once, in multiple, inter-connected and mutually responsive layers and dimensions.  Marvelous really.  Cosmic.  Exhilarating.  Look it up.

Not only does it help me with change, a dialectical perspective is absolutely best at sorting out the difference between form and content:  that most things contain their own contradictions, and are at the same time both positive in principle but negative in operation, and/or partially or totally the other way around, depending on the context, the actors and the historical moment.  Still with me?

For example, the United Nations, the European Union and good old congressional or parliamentary democracy, all of which I support actively, are in essence necessary and perhaps even “good”, but are, at the same time, I think we can all agree, hopelessly and inherently flawed, not to say corrupt, and part of the problem.  


So a touch of dialectics helps very much in the whole area of critical support for the things we need more of, and informed resistance to the things we need less of: in other words to steer change in the most advantageous direction (as we see it, of course). 


In fact, its really essential for my goal of financial cruise control for all:  its the control part.

So I'm not suggesting we cherry-pick our understanding of life (hahaha).  Quite the reverse.  I’m saying we absolutely need the whole picture: that nothing less will do,  going forward.


Have I been totally pompous? I really believe this stuff -  I think its important. 


Anyway,  Happy New Year, Everyone !!!


So this is It? by Vimrod
Downloaded from Flickr under Creative Commons License





You may also like: 

What Leonard Cohen Means to Me, especially his remarkably dialectical "Democracy". (spotify or YouTube - live in London).

John Lennon: its Christmas and What have you Done?, and especially this lovely video.  I really like what he is saying here, and the respect he has for his young interviewer, and the message of "pay attention" is pretty much what I am saying.  A little less anarchism might have enabled a little more precision on what we need to watch out for, other than "them", but still, he's really thinking dialectically.




And for those of you who love cats, more pictures of the incredibly cute Miss Newton can be found here, in The Daily Kitten (I kid you not).  Colour and Obularity are terrific photographers.

Oh dear, already breaking my resolution not to bring cats into every darn topic (see last comment of the John Lennon post, which is below)

Monday, 16 November 2009

The Poem that Solved my Leadership Problem.

This is an anniversary of sorts.

I read a poem one Sunday morning in late 1999, and realised that I no longer needed my toxic commute to a toxic workplace, and third, no fourth, toxic boss in a row.

Several months of mulling, of back-burner pondering, resolved instantly to clear certainty.

In less than four short months I was outta there, with my own little biz and never a single regret.  I'm still in contact with the wonderful friends I made there and I'm still doing the same kind of work, but co-creating it now.  And no more brutal, stumbling, neanderthal "leadership".

Thousands love this poem: for me it was life-changing.

Here it is:

Wild Geese, by Mary Oliver 
from her collection Dream Work

You do not have to be good.
You do not have to walk on your knees
For a hundred miles through the desert, repenting.
You only have to let the soft animal of your body love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
The world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting -
over and over announcing your place
in the family of things.

The most totally liberating part for me?  The first line.
.


And here's my own little wildgoose.




From her I have learned and am learning almost every other thing I have ever needed to know about loving what I love.  The harshest and most exciting lessons of all, totally wild and wonderful.

Now flying strongly in the clean blue air herself, finding her own place in the family of things.


Creative Commons License


And as every graduate of business school knows full well, Wild Geese almost never fly alone, unless they are really sick, and even then another goose accompanies as long as possible.  They fly in formation to benefit from each other's up-draft, and the leadership rotates, so that they all share responsibility.  And, almost best of all, they honk to support each other in flight.

Now, there's a life agenda. To co-create that kind of community.

The follower kind of leadership - that's what I like.  Not only in the sense that leaders pay attention to their  followers, but that leaders are also followers, and vice versa (and its so social networking).

"Real leadership always takes place through 
collective, systemic, and distributed action".  
Otto Scharmer.  MIT 

Food Group Dilemmas



Now, you all know the four main food groups, I'm sure: soul food, comfort food, nursery food and chocolate.


Creative Commons License


I try to eat from at least one of these groups every day, usually in the evening, just to round things off nicely.

This is what I do.  I eat delicious wheat-free Pony Food with fruit for breakfast, as seasonal, organic, low carbon-footprint, free trade and local as I can get it:



Don't look at the Blueberries - at this time of year they're from S. Africa, but they are organic, 
and the clemantine now comes by rail not lorry from Spain, a HUGE green development


And for lunch I usually have some delicious wholesome Rabbit Food, ditto




So then, in the evening, I select from one or more of the four main food groups.

This is to reward myself for whatever victories I’ve had during the day, which are usually many and various, if individually small.

Being British, I mainly go for Nursery Food, e.g. shepherds pie (free-range, organic, local), or my special one-pot chicken-and-rice-and-veggies dish (and to keep it local, I use barley instead of rice).  And then I have a little piece of dark chocolate (fairtrade, organic, anti-oxidant), or a big piece.

Sometimes I just have pud, quite often my absolutely all-time favourite food: rice pudding with stewed apple, queen of the nursery food pantheon.  Yumety-yum.

Very delicious and full of comforting nostalgic associations - that's nursery food.

No doubt about the calories however.  Very calorific.  Loaded up with all those big round lipid molecules that roll around the tongue is such a wonderfully seductive way.  But don’t forget portion control.  I sometimes (that is, often) do, but at least I know in principle that portion control is the answer to the calorie challenge.

So higher calorie than ideal perhaps, but not always, and not junk, and as ethical as I can get it: that's my evening meal.

And it does end the day on a deeply enjoyable and comforting note. Which is not without merit as I build my nightly defenses against that bane of financial cruise control – those wee wakeful hours of the morning when life's little challenges can seem overwhelming, even to me, Ms Positive Thinking. (And the very best antidote?  BBC Worldservice)

So I am navigating as best I can the reefs and shoals of health, ethics, sveltitude and happiness, and coming up pretty good on the whole(some).

And after all we can’t take life too seriously, can we.  Its just a bowl of cherries (organic, local, seasonal, low calorie, delicious), isn't it?

Creative Commons License

Friday, 13 November 2009

Happiness: The "cruise" part of financial cruise control


Regular visitors to these pages will know that  "financial cruise control" is what I'm after, and its about way more than money.  I find, not surprisingly, that it has three parts:

Financial -  the money part;
Cruise -      the fun and happiness part, and:
Control -    the strategic, conceptual part, the dialectics of life.

And why am I doing this?  I want loads of boodle?  No, actually.  I'm a control freak?  Not at all.

I'm doing this because I want to be happy in this, the springtime of my senescence (Gore Vidal).  So the middle part is, naturally enough, central to the whole project. 

The best way to find out exactly what it is that makes you happy, so you can get more of it?  Journaling, without question, or as we say today, blogging.

(Actually I still like the old kind, the blank book and pencil kind, and you just have to search "journaling" on Amazon to see how popular it is.  And as for googling or twitter-searching "happiness", oh boy!  We are all getting desperate.  And its not surprising when you think how much shopping we are all doing.  But I'm coming to that).

It turns out that journaling can not only help us find out what makes us happy, the very process of journaling itself produces happiness.

Read on:

If there is one thing you should do, its refresh your memory (or in my case, find out for the first time, can you believe?) what  Epicurus had to say about happiness.  He's is my man, and he lived in a commune, dude.  Way back then in 350 BC, or thereabouts.

He was the first (as far as we know), and he said it all, set the framework.  Everything since has just been details.


Photo downloaded from Flickr under Creative Commons License.  Snastopoulos



Epicurus believed we could all be happy, but are looking in the wrong place.  Contrary to popular belief he did not advocate self-indulgence.  He was more interested in frugality and quality: knowing what we really need.  Simple pleasures that really satisfy.  Or, to put it another way, financial cruise control.

That's the whole thing wrapped up, right there.

Epicurus felt that there are three requirements for happiness:-


1.   Friends: good companions, constant communication and interaction among people who like and support each other.  Absolutely.


2.   Freedom.  Don't worry, not the eagle and gun kind: it means not keeping up with the Jones's, which gives you freedom from financial worries.  Doing your own thing.  Modest pleasures.  Simple pleasures, Affordable luxuries.  Self-sufficiency even.  This is actually the hardest one of the three to achieve, thanks to recreational shopping and the advertising that drives it.

And finally, get this ....

3.   An Analysed Life.  In other words, journaling, blogging, the lovely process of stepping back, taking stock, reflecting on what matters, thinking about "your place in the family of things" (Mary Oliver).   What a brilliant guy.

So the first thing you gotta do, as soon as you have about 10 minutes to spare, is click right here and watch this totally brilliant vid. about Epicurus and his ideas about financial cruise control.

And I'm going to keep right on trucking with this little blog of mine, which led me to Epicurus (better late than never), and I have to say is making me very  ..........   happy.

And I'm also working on all that other stuff.  Definitely.

So come back soon to see what I find out, but while your here, why not subscribe or share this blog, or become a follower (right there in the side-bar) ?

And meanwhile, here are some simple epicurean pleasures to enjoy, from Epicurus' birthplace in Samos, Greece:


A simple pleasure  
Downloaded from Flickr under Creative Commons License  Vtveen.


Another simple pleasure   
Downloaded from Flickr under Creative Commons License  Vtveen


And yet another simple pleasure. 
Downloaded from Flickr .  angelsgermain.




You see, its not so difficult.

And you don't have to go to Samos.  Here is simple pleasure right in my own back yard last Spring.




And don't forget this one (See Duality in the Archive)